Boom goes the dynamite. Mike D is dynamite here on this re-flip of the Lykke Li latest. The Beastie Boy adds 80’s-ish beat flourishes and more modern heaviness in the bass among a load of other dope modifications. We’re into it. Get into it.
Truth. I don’t much like Mondayz either. Amirite? b3sci fav Vlooper collaborates with his wife Modlee on Analog Love. This free download joint features some low tempo jazz-infused beats (Vlooper) and breathy smoothed out female vox (Modlee). Shouts to moovmnt for the tip on the track. One of our favorite blogs.
York, UK’s Benjamin Francis Leftwich recently recorded this slow jams version of the Arcade Fire MTV 2 hit. We’re big fans of the 21 year old and his subtle yet cinematic approach to the singer-songwriter genre. We rep’d his killer “Atlas Hands” tune in September and we are pretty psyched to bring to you this new cover. So let your fingers do the walking over to play button below, and let the jamming commence.
“I Know That You Hate Me” comes from The Taste debut LP, Popularity. One of our favorite discoveries as of late, this guy/gal duo from Munich offer a little something for most any music aficionado. It’s experimental, it’s pop, it’s avant-garde, it’s garage… it’s just damn GOOD! Get into it!
The lost footage from Halfway to Nowhere’s 2004 Summer Tour found! Lindsay, why’d you never call? That shit’s so mean. P.S. Song is still fire. Zagatya!
Denver artist Forever Kid flips the Metric track. This rad mix features some pretty top shelf melodic inversions and beat switches. Emily Haines, yes, we accept, we will marry your voice.
One of the best pure pop songs ever. I once heard some UK music journalist speaking at the height of “Return of the Mack’s” popularity put the song on the same level of “I Heard It Through the Grapevine” in terms of its lyrical content and pop songwriting quality. And I remember thinking, wow, that’s really kind of over the top/ridiculous and then being like, actually yeah, he’s sort of right. 1996.
Earlier this week L.A. four piece Chief dropped “The Minute I Saw It” as their new single. We’re impressed. The classic West Coast harmonies tinged with melancholy, remind us maybe more of Neil Young than The Beach Boys. Laidback guitar leads float in the mix framing singer Michael Fujikawa’s badass tenor. And oh yes, the melodies. “The Minute I Saw It” goes melodic line for melodic line with any of 2010’s best. Check the song and vid below.
When two b3sci favs link up in collaboration, you know its on. So b3sci fam, call up Donkey Kong, Charlie Brown, and gather round the Cleveland Browns cause it’s ON! It’s on, man. It’s on. Turn it on.
Complete with a chugging acoustic, far off strings, and an easy recorded style, you’d almost expect We Are Trees singer James Nee to drop the first few bars of “Dear Chan Marshall” in Portuguese. The song has that sort of vaguely bossa, distant notion of Brazil feel to it. Yes, there’s also a Grizzly Bear-like quality here too. It does sort of sound like those Grizzly blokes. Though, We Are Trees, at least on this tune, come off as more immediate, more visceral. Whereas the Bear guys operate in some sort folk song Thermosphere, Nee and the Trees evoke feelings closer to ground; but still operating in some sort of efferscent layer of the near ether, still in the air, still floating. “Dear Chan Marshall” is the third of four tracks on We Are Trees debut LP Boyfriend. You can stream the EP here on the group’s bandcamp. Check it out.
Is it grime? Is it dubstep? Is it post-dubstep? Is it funky? Is it Burial? Don’t ask us to decide nor really care. But Fantastic Mr. Fox’s Evelyn EP boasts (or maybe hushes out) some of the smoothest tones of 2010. “Over” is our choice track from a strong 4-song EP. There are vague R&B and soul influences that serve to warm and simmer the mix, breathe into it, and serve as rudiments, support for the caterwauls of space jam synths and pitched up drum pops.