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Ben Khan – Youth

benkhan

Stylistic chameleon Ben Khan moves toward a more synth-pop driven sound on new one “Youth”. While perhaps more accessible to Indie 2014 w/ its easy electronics and warm textures, Khan’s latest genre jump on “Youth” is ruddered by the strong sense for pop/r&b hooks and soulfulness that has driven Ben Khan’s rise thusfar. We’re loving it. Ben Khan’s debut “1992” EP will be released May 5.

Ben Khan (Tumblr)

Rating 8.3

reviewed by
03-19-14

Vök – Tension

Vök - Before

Margrét Rán’s sultry yet simple vocal is the star of “Tension”, Iceandic dream & b duo Vök’s slow burner new single. The sticky and seductive “Tension” is perhaps (and we mean this in the most complimentary way) a bit of an approximation of what another noted Scandinavian R&B duo Quadron might sound like in 2014 had they continued to pursue an artier more obtuse sound. The visceral, earthy, human qualities of “Tension” are highly highly palpable, they almost bleed off the record which is pretty indicative of a track that not only demands your attention but is also a great piece of art.

Vök iceland (Soundcloud)

Rating 8.3

brown8

reviewed by
03-18-14

Cubby – Cold (Feat. Kwane and Current)

cubby

BK-based vocalist Cubby makes his formal debut with warm electronics-soaked R&B of “Cold” featuring emcees Kwane and Current. A+

Cubby newyork Soundcloud)

Rating: 8.3

brown8

reviewed by
03-10-14

BASECAMP – ATSW

BASECAMP ATSW

If you like jams — you know, good ones. Like the sort of jams that you have to play over and over. Then have a listen. Tennessee indie electro-R&b crew B A S E C A M P have put a fresh spin on “All That She Wants,” the ’98 smash hit from Ace Of Base. It’s no surprise that (20+ years later) we still can’t get this melody out of our head. Pick up the track on limited edition A/B side 7″ vinyl coming soon via Turntable Kitchen. And for more BASECAMP, have a read at our interview with the band last summer.

B A S E C A M P @ SXSW

Wednesday March 12th – 3:00 – 3:30 – Secret Sounds – Holy Mountain
Wednesday March 12th – 11:10 -11:45PM -ASCAP – Red Eyed Fly
Friday March 14th – 2:00 -2:30PM – Dickies & Amazon – Bangers
Friday March 14th – 6:15 – 6:45PM – Vitalic Noise – Krave
Saturday March 15th – 4:00 – 4:30PM – The Green Room – The Brew Exchange
Saturday March 15h – 9:45 – 10:15PM – It’s A School Night – The Parish

BASECAMP (Official)

reviewed by
03-08-14

Talos – Tethered Bones

talos

Wow, what a tune by the Cork-based Eoin French aka Talos. “Tethered Bones” has the skeleton of an absolute hit with its incredible production, uncommonly smooth melody and haunting guitar and synths. I am truly blinded by the beauty of this track. Think he can make a quick trip to Austin next week? By Brian Litwin

Talos ireland (Soundcloud)

Rating 9.0

brown93

reviewed by
03-07-14

Interview with King Avriel

king avriel

LA based indie-R&B lord on the rise King avriel recently took a break from composing awesome new jams to chat with B3SCI writer Cheryl Dunn about the origins of her sound, musical passions and a forthcoming full length project. Have a read at their chat below and take a look at her new music video for “Freedom.”

B3SCI: As what feels like a lifetime fan of Hey Arnold!, I have to say it is an honor to meet the voice of Timberly…

King Avriel: Haha the pleasure is truly all mine.

B3SCI: As someone who has been playing and making music your whole life, how do you feel now that you are finally releasing your first EP? What was the process like for you culminating to this moment? What are you most excited for?

King avriel: I’m really excited. I think this project and the songs I’ve been releasing to lead up to it are the best music I’ve ever made. I’ve never been as proud of anything I’ve done before as I am with this upcoming release. And, it’s been a long, tumultuous journey; I had to overcome some really dark valleys, but this moment feels like survival. I’m beginning to see how resilient I really am. And as a young woman, it’s exciting to start recognizing my true strength. I’m most excited to share that journey with others in the stories I tell on this project, because I have a hunch my experience was not an uncommon one.

B3SCI: When and how do you like to approach most of your song writing? Is it something you are constantly doing on the fly, or do you set time aside?

King avriel: Songs come from different places. My biggest challenge is just making sure I write down my inspiration when it hits. Sometimes I get a hook idea, or just a song concept and I have to be really diligent about writing everything down in my journal or on my phone, even if it’s just a word or two. So, in that sense I’m always writing on the fly. But, then I set time aside to come back to those ideas and flesh them out. Sometimes all the ideas I have come up with while I’m on the go are total shit, so I just have to start writing from scratch. However, I feel like I always have something that’s weighing on my mind at all times, so then it’s just a matter of confronting whatever conflict is currently affecting my experience.

B3SCI: With your alias, your name King avriel, and with your music video for “Freedom,” (watch it below) you’ve seemed to open up a great dialogue about the importance of breaking free from gender binaries. Can you tell us about your name change and video message, and why is opening this discussion amongst your fans most important to you?

King avriel: Yeah! I mean I’m always amazed at how meaning can be packed into language in so many different ways. I’m always trying to find ways to layer meaning while still being economical with words… I feel like that’s what is at the heart of poetry and lyricism. That’s what makes the game of song writing so fun! So, that same philosophy to writing has been applied to my name. The word King is so heavy and loaded, both politically and emotionally, for many people. When I call myself King, I’m saying that women can be kings. I can have just as much power as a man, and a man can still be a king too. And, while the “a” in avriel is lowercase to take emphasis off of my individuality, the “K” is capitalized to emphasize the collective. I’m not just calling myself a king, I’m saying everyone has this potential should they choose to embody it. We are all kings waiting to be self-recognized. The dialogue has been really interesting and exciting as well, because some people don’t believe I can be a king — I feel that those people are really living in the past. I’m trying to give people an idea of a future where everyone has equal value in this society.

B3SCI: What can fans expect from you in 2014? Are you planning on releasing a full length or any new music? Do you have plans to tour or play any festivals?

King avriel: So, the project I’m releasing soon is full length. But, I would say that you can expect the music to take an interesting turn very soon. Everything you’ve heard thus far is not a good representation of me. I actually had already finished my project when I recorded “Paranormal,” “Failed Messiah,” “Prelude,” and “Freedom” one week just on some random shit. I wasn’t going to put them on the project, so I figured I would just send them out and see who was feeling them. I wasn’t even expecting them to get the amount of attention they got, but we just went with it and shot the video since it felt right. But I feel like those songs are very sound-centered. Although I love that sound, what I’ve done with this project and my music in general goes far beyond that particular sound. I think people can expect the story to deepen and unfold, and for them to really begin to understand me as a story-teller first and foremost.

B3SCI: Growing up, what music inspired you most? What bands or musicians helped to shape your musical style now?

King avriel: Wow… so much! I mean I literally listened to everything from Mariah Carey and the Spice Girls, to Debussey and Phillip Glass, to Thelonius Monk and Aretha Franklin. I’ve gone through so many periods of liking specific types of music too. Like I spent a whole year listening just to Jimi Hendrix and The Beatles. I really felt connected to that era of music, and what I’m into is always changing. I think most recently I’ve had Overly Dedicated, and Miseducation of Lauryn Hill on repeat for the past year and a half or so. I always get stuck on albums and forget that there’s new music being made. I haven’t quite decided if that’s a good or bad thing yet.

King avriel california (Facebook)

Rating 8.4

boreta - honey heart

reviewed by
03-06-14

B3SCI Presents: Jungle w/ James Supercave @ The Echo in LA on Monday, March 17, 2014

Jungle for Echo

London newcomers Jungle are one of emerging music’s most exciting stories right now. After a buzz ridden last half of 2013, and only a small handfull of tracks having been released by Chess Club and B3SCI Records (that’s us), Jungle are poised to make a major splash in 2014 with their forthcoming debut full length via venomous indie champions XL Records.

The band will surely be riding high from their busy week in Austin, TX for SXSW… and so, we are thrilled to have the chance to team up with The Echo to present Jungle’s Los Angeles live performance debut along with support from this month’s artist in residence (the also very awesome) James Supercave. Advance tickets for the show are sold out, but rumor has it that there will be a select amount still available at the door for early birds trying to get a glimpse. More details for the show are available at the link below.

The Echo (Event Info)

reviewed by
03-06-14

JUCE – Braindead

JUCE

New faves JUCE channel “Groove Is In The Heart” through a 2014 lens on new single for Speedy Wunderground “Braindead”. On the track, an early 90’s-esque backbeat frames more contemporary synth textures and a female-fronted heavily reverb’d vocal. “Braindead” is due April 7th.

JUCE england: (Facebook(/a>)

Rating: 8.6

brown8

reviewed by
03-06-14

Jesse Boykins III – Plain

jesseboykins

“Plain” is the lead single from longtime favorite of the site Jesse Boykins III’s upcoming new Love Apparatus LP. Produced by Machinedrum, “Plain” walks (while still immensely soulful) a decidedly dance-driven lane; a style that Boykins has dabbled with ably in the past. Here, Boykins’s syrupy fluid full-toned vocal does a nice juxtaposition against Machinedrum’s compact almost wholly-self contained instrumental. Love Apparatus is out April 22.

Jesse Boykins III newyork Soundcloud)

Rating: 8.3

brown8

reviewed by
03-05-14

Face and Heel – My Medyk

faceheel

On new track “My Medyk”, UK duo Face and Heel do the boy-girl nuvo-R&B/pop thing to near perfection. There’s not a guitar wah, a drum loop, a melodic line out of place on “My Medyk” its that skillfully crafted and streamlined; particularly standout is Sinead McMillan’s soothing flawless alto vocal. Do not miss.

Face+Heel (Facebook)

Rating 8.7

brown8

reviewed by
03-05-14

Barnaby – Things We Could Do

barnaby

The UK alt-R&B train kept rollin’ w/ its latest arbiter Southampton-based Barnaby. Sound-wise in a lane between the more abstract melancholy of James Blake and the more direct plaintive melancholy of Raleigh Ritchie, Barnaby makes a standout strong first foray into an otherwise crowded genre with “Things We Could Do”. A++

Barnaby england: (Soundcloud)

Rating: 8.6

brown8

reviewed by
03-03-14