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SHOW REVIEW: Allison Weiss / Mitten / Lightyear @ Glasslands, Brooklyn 01/06/12

By Erin Routson

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Some music is undeniably written by women. Contend that if you will. Seeing Lightyear (aka Lauren Zettler) open for Mitten and Allison Weiss at Brooklyn’s Glasslands merely hit the idea home. Sometimes there are places that only women can go.

Taking the stage with her band, she launched into a set that ranged from the gentleness of lullabies and near-whisper sung lyrics to the punk vibes of yelping “Oh my god!” and being unable to contain her energy. Her songs are culled from the subject matter that any woman as a diarist would recognize. Love, loss and finding one’s own way all work their way into her lyrics.

It sounds like a complaint, but it isn’t. If all of these ideas are swirling around in our brains, why shouldn’t women sing them? Why shouldn’t all of that creative force be channeled into music? Isn’t the point so that I relate?

While Lightyear’s debut EP All of the Miles is sometimes soaring, sometimes intimate, but always polished, her live show presents a more raw take on the same kind of expansive and constricting sound. This might’ve been partial credit to her under-the-weather slightly croaky voice, but the songs took shape live. “Lose Yourself” and the opener “When You’re Alone” capitalized on the full band rougher sound. They were more human and more powerful. Even the songs that were just her alone onstage with a guitar were bigger than what that idea connotes.

As she closed with “It Beats” Zettler seemed to almost want to climb out of her own body, seeking the “sea change” she sings about. Maybe only a woman could write those lyrics, but it’s also true that maybe only a woman could deliver them and do them justice.

The rest of the show carried through this theme of our innermost thoughts being broadcast backed with guitars, keyboards, or both. Mitten, weaving their way through dance tracks and dreamy vocals, got the crowd moving. By the time Allison Weiss took the stage (with Mitten as her supporting band), she could’ve read her diary out loud and it would’ve been enough. Her earnest and borderline comical delivery made her set charming as she took us back to summer camp, to awkward nights out beyond curfew, to feeling so many feelings.

It was a night to embrace all of those feelings and remember: it isn’t a shame to turn them into a song at all. It’s a gift.

Lightyear newyork (Facebook)
Mitten newyork (Facebook)
Allison Weiss newyork (Facebook)

reviewed by
01-13-12

SHOW REVIEW: Voxhaul Broadcast @ The Satellite, Los Angeles 01/11/12

By Chris Gedos; Photos: Jillian Prado

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Voxhaul Broadcast gave their LA legion plenty to shout about on Wednesday night, January 11th, as night #7 of Satellite Nights was a rousing success. It’s quite a thank you from a venue to its patrons to host nine straight nights of free music! And I stayed away from the bar, so it really was a free night, even though all had fun whether they were imbibing or not!

Any doubts I harbored of Voxhaul sinking into the quicksand of anonymity vanished about four measures into their set. They’re a good band prima facie, as they say in the legal profession (upon first glance, literally ‘first face’). Three generations of music snobs could be in a restaurant, hear this band play over Sirius XM and all have the same immediate impression: “This is good shit!” During a brief, approaching half-hour set, the band knocked out “Cheetah” and “Leaving on the 5th”, both from the Timing is Everything LP, along with “Broken Nerve”, from their Between Love and War digital EP. Voxhaul Broadcast’s contrasting styles of bluesy, roots rock and Springsteen-esque indie were in harmony throughout. My only gripe is that it was difficult to move around on Wednesday night, so you’d better get there early when Voxhaul hosts the Satellite residency every Monday in March.

Voxhaul Broadcast – Broken Nerve

Voxhaul Broadcast california (Facebook)

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Rating 8.29

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reviewed by
01-13-12

British Sea Power – A Light Above Descending

By Chris Gedos

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“A Light Above Descending” calls to mind The Decline of British Sea Power, back when “Remember Me” spoke for a sub-generation and band members were getting injured at every other show. I recall with fondness Wayne Coyne’s quote from my old BSP poster: “They’re just a good band. They have trees on stage and they’re doing something really exciting. I wish they’d take more care on stage though. If they carry on like that they’ll injure themselves.” Coyne may very well have been at the Grog Shop with us in 2004, when Yan infamously swung on the rafters from the stage to the soundbooth and back. Maybe the past isn’t a foreign country.

British Sea Power england (Facebook)

Rating 8.5

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reviewed by
01-12-12

RAVE’S FAVES: The Maccabees – Pelican

By Bruce Rave

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The B3Sci bros have already alerted you to this new album with the track “Feel to Follow”. Here’s another taste from this album, which has created a sizable British buzz.

The Maccabees – Pelican

The Maccabees england (Facebook)

Check out Bruce’s “Go Deep” show on Fridays 1-3 pm Pacific, 4-6 pm Eastern, 9-11pm GMT. Also listen to past shows at Bruce’s blog and follow Bruce on Twitter.

reviewed by
01-12-12

SHOW REVIEW! Fidlar at The Smell, L.A. January 10th, 2012

By Chris Gedos

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Testosterone was at max capax Tuesday night for Fidlar at The Smell, on Main St. between 2nd and 3rd in Downtown Los Angeles. Downtown LA, for those of you unfamiliar, is a sort of platform 9 ¾ where one can escape from the rigmarole Hollywood wheel of fortune. One can go to the Smell, soak up the grittiness and easily imagine themselves in Milwaukee, Cleveland, or Rochester, N.Y., discounting the January evening in the high-50’s.The graffiti-laden walls and sawdust floors provide ideal environs for Fidlar, who are first and foremost a punk band.

I wouldn’t be surprised if these guys each drank a couple cans of Monster before their set! To say they played with a fiery intensity would be an understatement. They play louder and more abrasive than on their EP, DIYDUI (great name). But they’re a punk band who can make serious inroads with the indie rock tastemakers. We can all get down with young punks who tip their caps to Iggy and The Stooges. And if you’re a real punk and stuck in suburbia, Fidlar might be a band to change your modus operandi. I can see these guys playing Coachella just as easily as Warped Tour, which is no easy accomplishment.

I nearly saw a fight break out in the mosh. The lead singer’s mic was stolen for thirty seconds. And Fidlar even covered Blink 182’s “Dammit”, a great song whatever your predilections. Vice was on hand to video all the debauchery. Just another night at The Smell for Fidlar.

FIDLAR – Max Can’t Surf

FIDLAR california (Facebook) (Bandcamp)

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Rating: 8.444

brown8

reviewed by
01-12-12

La Sera – Please Be My Third Eye

By Trevor Meyer

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La Sera will release her new LP, Sees The Light, March 24th. “Please Be My Third Eye” is a guitar-driven ensemble of punk, fuzz, pop, and garage. Laden with a purposeful melody throughout, “Please Be My Third Eye” stands out among the masses of the surging indie/shoegaze/fuzzpop circus. La Sera is playing at the Echo in LA, Jan 12, so make sure to catch her live.

La Sera – Please Be My Third Eye

La Sera newyork (Facebook) (Hardly Art)

Rating 8.3

brown8

reviewed by
01-10-12

The N’ere Dowells – Jungle Song

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“Jungle Song” from Brooklyn band The N’ere Dowells is a nice slice of poppy garage rock with some really killer melodies. We’ve got it in rotation. See what you think.

The N’ere Dowells – Jungle Song

The N’ere Dowells newyork (Facebook)

Rating 8.1

brown8

reviewed by
01-10-12

Pale Seas – Something or Nothing

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“Something Or Nothing” comes courtesy of new London based band Pale Seas (formerly Netherlands). The group’s pleasant well-crafted Dream Folk is already in rotation at b3sci HQ and will no doubt make it’s way in our next road trip mix. The band recently recorded their debut EP with respected production team Jimmy Robertson and Demien Castellanos whose credits include Florence & The Machine, Anna Calvi, and Exlovers to name a few. You can pick up “Something or Nothing” as a limited Edition 7″ through Fear & Records on March 5th.

Pale Seas – Something Or Nothing

Pale Seas england (Official) (Official)

Rating 8.4

brown8

reviewed by
01-09-12

The Bats Pajamas – Red Scared

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“Rad Scared” is previewed from Bats Pajamas forthcoming sophomore full-length expected later this year. Their Steve Albini recorded self-titled debut caused a stir and the Toronto based collective continue to bring the noise with this effort.

The Bats Pajamas – Red Scared

The Bats Pajamas canada (Bandcamp)

Rating 8.3

brown8

reviewed by
01-07-12

Doug Bleek – Island in the Sky

By Chris Gedos

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Slothbear bassist and multi-instrumentalist Doug Bleek drops a mutha’ of a track with “Island in the Sky”. A hypnotic intro and chord progression, reminiscent of one of those great B-sides from Mavers and The La’s (“Over”and “Endless”, in particular), leads into a sweet vocal more nuanced than “Sleepy Daze”, Bleek’s track from Slothbear’s Canter On EP, which was spun into the ground here @ HQ. Comparisons to Sloan come to mind as well. Bleek’s well versed in the pantheon; that much is certain. Listening to “Island in the Sky”, one is struck with that feeling of a shared history, of having heard the same music, read the same books and lived the same experiences, an increasingly rare thing given 2k12’s hyper-fragmented culture.

Doug Bleek – Island in the Sky

Doug Bleek newyork (Bandcamp)

Rating 8.6

zagatya

reviewed by
01-07-12

Freedom Fry – Tallest Dreams

By Trevor Meyer

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Freedom Fry is a French-American duo hailing from Paris and New York. Their debut EP, Let The Games Begin features “Tallest Dreams” along with four other tracks. This duo has a great feel for rhythmic dynamics. Not only does Freedom Fry have a knack for percussive adeptness, but they also use instrumentation such as the harpsichord, autoharp, and ukulele. Freedom Fry has a distinct musical chemistry that shimmers through “Tallest Dreams.” Make sure to give these guys a listen and pick up their debut EP, Let The Games Begin.

Tallest Dreams – Freedom Fry

Tallest Dreams newyork (Facebook) (Bandcamp)

Rating 8

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reviewed by
01-07-12

Panther & The Supafly – Diamond In The Africa Rough x Chronicles

By Trevor Meyer

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Vancouver natives, Panther & The Supafly just dropped their debut EP, Nkazi. “Diamond in the Africa Rough” is a sick fusion of jazz, hip-hop, and pop. This track is driven, inspirational, and poised for greatness. Give these guys a spin.

Panther & The Supafly – Diamond In The Africa Rough

Panther & The Supafly – Chronicles

Panther & The Supafly canada (Download at Bandcamp) (Facebook)

Rating 8.3

brown8

reviewed by
01-07-12