New York rapper Blitz The Ambassador pays tribute to one of the greatest shot-blockers (& index finger wavers) in NBA history with this heatin’ up send up to Dikembe Mutombo. DIKEMBE! Blitz’s Afropolitan Dreams LP is due later this year.
Blitz The Ambassador 
(Facebook)
Rating 8.2
You already know what this is. Listening to Joey Bad rhyming about Metatron, fuck yo couch, & George Pataki over a top of his class jazz piano-inflected Statik Selektah is something akin to flying or teleporting or something else equally bangin. “Summer Knights” drops June 12.
Joey Bada$$ (Facebook)
Rating 8.5
Giftz and Tree grab a few of their brahs (incl. faves Kami de Chukwu, Joey Purp & Dally Auston) for this posse remix to their track “Nino”. “I took her home and I enjoyed that”, the Rick Ross “UOENO” verse shots continue to pour in (maybe the fourth or fifth one this week) and could conceivably be a genre unto themselves about now. p.s. “Nino” samples a B3SCI consensus all-time favorite track in Tammi Terrell’s “All I Do Is Think Of You”.
Giftz 
(Twitter)
Rating 8.1
One of the most exciting new artists in R&B right now Phil Beaudreau, makes his Los Angeles debut this Friday night at The Bootleg Bar. Rolling alongside AoE reigns-man and Grammy Award Winning producer Dawaun Parker, Phil will be performing tracks from his much anticipated Ether debut. Phil is a serious talent and Friday’s L.A. debut peformance is one you absolutely don’t want to miss. Details on the show and info on tickets can be found here. We’ll see you soon!
Phill Beaudreau – This Is Why (Feat. Dawaun Parker)Phil Beaudreau 
(Soundcloud)
The Bootleg (Info and Tickets)
Cookin’ Soul + a Roy Ayers sample + newcomer MC Melodee’s intriguing early Eve-esque flow = a must listen track.
MC Melodee 
(Facebook)
Rating 8.4
90’s Three 6 Mafia member Gangsta Boo hooks up with Krizzle and K-So for this soulful ride-out jam from her new It’s Game Involved mixtape. We’re headnoddin.
Gangsta Boo 
(Twitter)
Rating 8.0
Funkmaster Flex lets loose another burner from French’s upcoming Excuse My French LP with “We Go Wherever We Want”. Not only does the track sample Wu-Tang’s classic ’95 track “Ice Cream”, FM gets some assistance from Wu Man Chef in the form of a fresh sixteen bars. French’s flow is the same here as it is on just about every track he’s on (not that we’re complaining necessarily); you could put these rhymes over “Pop That”, “Shot Caller”, “Freaks” w/e and probably have a cool “mash-up”. R&B’s most influential receding hairline Ne-Yo brings his usual high flying panache to the hook. Excuse My French is due May 21st
French Montana – We Go Wherever We Want (ft. Ne-Yo & Raekwon)French Montana (Twitter(/a>)
Rating 8.0
Mont Brown graces us with some new high quality stripper music, right in time for the summer. The bounce on these particular tracks is for dat ass and I like it that way. It’s always more fun to hear that the underdog is balling because it [Mont] represents the grind. Featured Al 1 Thing wins with the rapper/singer combination, even in these cliche times; his continually elevating bars showcase that he’s much more than just cute for girls. I also love that Pace-O Beats is a producer with quality songwriting ability, not the common beat-maker who wishes he was so. By Teddy Pendergrass
Mont Brown – Don’t Do It (ft. Al 1 Thing & Pace-O Beats)Mont Brown
(Twitter)
Rating 8.0
Growing up in Philadelphia spoiled me with rap. Hip-Hop is such a competitive industry and supremely versatile. The current, friendly, mainstream hip-hop scene is lame and produces too much lackluster stuff which would never fly in my hometown. “Local” mediocrity doesn’t apply to Philly’s lyricism. In fact, many new trends and sounds were played out in Illy Philly quite a while ago; the city is often ahead of its time. This tape is comprised of 8 gems from 8 different camps with 8 different styles. Notice many “notable” names are not included. This is the underground stuff, the good stuff. Review and Mixtape by Teddy Pendergrass
Here goes an outtake from the undisputed Boss of 330 Beard Rap smilin’ Stalley & another b3 fave producer Cardo. The “Intimate Friends”-sampling “White Minks & Gator Sleeves” slowly rides out that laidback NE Buckeye State warm weather lane that Stalley so comfortably operates in. Bump this one out yr trunk.
Stalley – White Minks & Gator Sleeves (Prod. Cardo)Stalley 
(Facebook)
Rating 8.3
Right, Get with B3 and get in that SOUL HOLE w the hero Nasty Ill Brother S.U.G.I.. Spoilers: the soul hole sounds a bit like if Dilla (R.I.P.) and FlyLo linked up got really high and then put re-runs of Alien Nation on the VHS. (which sounds pretty awesome to us, OK). Get thee to the soul hole.
NASTY ILL BROTHER S.U.G.I 
(Soundcloud)
Rating 8.4
By Teddy Pendergrass
In continuation of my thoughts that Philly indeed birthed some of the most talented emcees of this generation (read more here), I’d like to rant on the current state of hip-hop in the 215. In all honesty, I find myself critiquing every rap song I hear, and interestingly enough, I always seem to lose myself into dozens and dozens of track replays from unsigned Philly rappers. Why do I get so bored with most emcees world wide, but can’t get enough of people that you never heard of? I’d guess it has something to do with my theory on mainstream v. independent rap. That popping artists rarely have the passion to match lyricists who are still at the bottom.
Mont Brown – ARF EP
Astronauts Really Fly (aka ARF) is Jay-Z’s undiscovered, competition. If you listen to all Mont Brown’s songs it has everything you could ask for from hip-hop and more. “Reachin” from the ARF EP is an extraordinary example. I can see the Philly ladies and gents alike playing this song loudly from their car stereos. Mont is definitely putting his heart into rap. I remember I saw a review for Danny Brown before he was this big. Anthony Fantano said Danny really figured it out with XXX, showcasing the importance of passionate and honest lyrics. Mont Brown is doing this but too many seem to be sleeping on it. Pace-O Beats’ small part in “Reachin,” is flawless. It’s pop music, man. What more do you want? Astronauts Really Fly could go on tour with Bruno Mars easy. Bruno Mars should sign Mont Brown for more “street” hits.
Philadelphia has a second force to be reckoned with as well. I’d like to introduce you to The Bakery Boys. This crew is for real, and some necessary competition for the dominant Odd Future. Bouts always make the game more interesting, right? Let’s review some Baked projects.
The Bakery Boys – FourEver EP
The title cut off the FourEver EP feels like old Roots but more raw, un-cut. “B-A-K-E-D.“ The Bakery Boys have crazy flow and team chemistry. The last verse is the most unique from Diabolicool (more reviewed on him below). Listen to his words closely; it’s pretty jarring but pure awesomeness. The track “Love Lost” shows range. It’s reminiscent of early 90’s fly rap, style and fun. The emcees like the chicks and can describe their infatuation ever so smoothly. Great tune.
“4:20” is slow, baking music. I admire how the Bakery Boys know to offer multiple sounds. And their flow has yet to become tiresome. The instrumental is amazing. While the Nate Dogg sample is probably my least favorite part, of the tape, it doesn’t stop me from listening again. Closing track “Salute” hits hard with some Cali rhythm. Rappers, definitely, have influence and youth in Philly have always loved California. The hook is a standout. Young hooliganism is ever present with The Bakery Boys and it’s captivating. I also love that nothing about these guys’ music forces the “Philly sound” stereotype.
I feel this EP really captures the mind-state of young street life. It’s not so violent but it’s real. It’s crazy ironic that rappers in their 30s are lying about what they’re really involved with, and the rappers in their teens are genuine and honest. This tape is pure quality. It’s my second favorite of 2013. Philly’s really holding it down as the initial track on my list is from Mont Brown. Variety man, that’s all it’s about in music and both these Philly camps have that down.
Diabolicool – Terrible EP
In introduction to this last review, Diabolicool is super strange. But his unique style is precisely what makes the Baked kids fierce competition. It’s important to not only be able to give the listeners what they want, but to also offer things they have never experienced before… things that may take some time to get used to.
Diabolicool x EARDRUM – Uh Oh“Uh Oh (Intro)” let’s you adjust to the weird, otherly personality of Diabolicool and the gritty EARDRUM production style just right. Listen closely to connect with his lyricism or you’re not going to like him. “I’m the coolest cat like a snow leopard.”
Diabolicool x EARDRUM – Terrible“Terrible” is an engaging psychological set-up. I like his creepy vibe that you can also bounce to. Remember Mobb Deep’s haunting beats? This is the new era of that, clearly. He’s got flow man. The transitions are classic. This is very impressive.
Diabolicool x EARDRUM – Big Bad BastardNow onto “Big Bad Bastard.” Diabolicool is confident in his style and skills. It’s super lyrical rap music. The album has introspect/intellect. Realize EARDRUM is the featured producer and capable of anthems.
Diabolicool x EARDRUM – Doctor Strange“Doctor Strange” showcases Diabolicool’s alienated attitude. There is tons of humor in this track. “Ejected sperm on a fucking perm.” He doesn’t want to be taken too seriously over this spacey instrumental.
Diabolicool x EARDRUM – Freddy“FREDDY” is horrific, with the incredible and only EP feature. I see aggression towards the enemy. They have hard shit, for the streets, which is huge in Philly. Diabolicool is so weird with this third eye shit (and everything else) but I can’t get enough of it. “I’m on fire like Richard Pryor.” Blah Blah Blah Favorite. <3
Diabolicool x EARDRUM – Looney Tunes“Looney Tunes” is like old Obie Trice but not really. I love jokey hip-hop. And Diabolicool is fucking looney, “busting nuts in loose cunts.”
Diabolicool x EARDRUM – Try Me“Try Me” is the perfect close. While The Bakery Boys really have the boom bap rap down pact. Everyone likes that stuff. “Knock, Knock.”
So yeah, maybe you think this guy is ripping another movement but I honestly don’t feel that way. Lots of kids, these days, have pride in their bazaar behavior. Just because more than one person is odd doesn’t mean he/she is ripping the other. It’s just an indicator of how much times have changed. This tape gets two thumbs up and is my third favorite body of work in the last few months. Philly all day, son.
In conclusion, While they’re certainly rough around the edges, you can see incredible potential with The Bakery Boys. Comedy, youth, versatility, honesty, originality and rebellion are needed, in the rap game, and that’s exactly what they offer. Astronauts Really Fly, on the other hand, represents crossover music. Top 40 needs Mont Brown and Pace-O on their radar. It’s so good that hopefully it’ll “pop” soon. It has to.
*Bonus Tracks:
The following tracks are random but it’ll let any doubters know that The Bakery Boys have a host of material that’ll get your head bopping.
Keep Fresh Alive – Jave x Tires“Jave x Tires” is so trill. Oowops and tube socks are included in this freestyle that makes you disregard its originator. Lil Jave talks about life’s decisions with a natural smirk. The true skater lifestyle should add some more attention.
“Represent” lets leader TJ Atoms display his excellent storytelling ability over some more golden-era nostalgia.
