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Electronic

Elaksi – Lanes

elaksi

Finnish producer Elaksi is an expert and a bit of a first mover in the coherent high quality fusion of several indie dance subgenres popular currently. Future beats, post-trap, Jersey Club, whatever Lido does, etc; it’s all neatly and masterfully compiled and reconstructed here and the execution of that fusion is remarkable. Listen to Elaksi.

Elaksi finland (Soundcloud)

Rating 8.5

brown8

reviewed by
07-23-14

Luka – River

luka

The deep and stylistically varied “River” is excerpted below from German producer Luka’s excellent new four track EP “The Nest”.

Luka germany (Facebook(/a>)

Rating 8.8

brown8

reviewed by
07-22-14

Jake Hart – Awake

jakehart

The majestic and cinematic R&B of “Awake” is the latest from young UK musician Jake Hart. Love.

Jake Hart (Facebook)

Rating: 8.8

brown8

reviewed by
07-22-14

Giveaway: La Roux – ‘Trouble In Paradise’ Limited Edition Signed Poster

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Fans of British synth group La Roux have been patient, very patient. Five years after their acclaimed self-titled debut, La Roux now triumphantly return with ‘Trouble in Paradise‘. It’s an artfully approached album which marks songwriting and production as much as it does the synth-y electronic-pop roots for which La Roux has come to be known.

To celebrate the release of ‘Trouble in Paradise’, B3SCI is giving away a limited edition autographed lithograph of the artwork that you see above! To win just email us here with ‘LA ROUX CONTEST’ in the email title and let us know your favorite song on ‘Trouble in Paradise’. Check out the full album stream on iTunes Radio if you haven’t yet. We will pick our winning submission at random by August 1st. Good luck!

You can also catch La Roux now on tour with New Order. B3 writer Brian Litwin recently caught the show in Los Angeles at the legendary Greek Theatre. Below is a recap of the show:

REVIEW: La Roux + New Order @ The Greek Theatre in Los Angeles, CA. 7/13/2014

The Greek Theatre, an iconic jewel of the LA music scene, stage was graced by both up-and-comers and legends on Sunday night, July 13. Brit synthpop act La Roux shared the stage that evening with the storied Salford band New Order, creating a most memorable night for all in attendance.

Coming up on her new album release, ‘Trouble In Paradise’, Elly Jackson AKA La Roux opened the show, performing in front of an eager LA crowd who, at first, seemed most keen to see 80’s Brit New Wave rockers New Order, but Elly came out and got down to business. Firing off new singles from the upcoming July 21st release, “Uptight Downtown” and “Let Me Down Gently”, La Roux earned the crowd, creating new fans with every key stroke of the synth. Closing out the set with the undeniable hit “Bulletproof”, La Roux found a new fans in an old mainstay.

It goes without saying, the legacy that New Order and Joy Division have established for themselves, will forever be known. New Order came out to a packed and uproarious crowd that night. Starting off with “Elegia”, the audience was right in it. Playing a career-spanning set, Bernard and the gang proved they may never lose what they have, and they had a great time doing it. Truly impressed by the showmanship and overall professionalism, it was a dream come true for most fans in the audience. Personal favorite moment of the show was the excellent cover of the Joy Division single “Isolation”. – Review By Brian Litwin

reviewed by
07-22-14

Cyril Hahn – Slow (Feat. Rochelle Jordan)

Cyril Hahn

Yeah! We like this. Cyril Hahn, the Vancouver-based musician who’s profile has raised steadily since his big breakout “Say My Name” remix, here teams up with one of our favorite voices out right now Rochelle Jordan on the exquisitely-produced “Slow”. Rochelle’s emotive yet ethereal vocal is a remarkable match for Cyril’s airy complementary production style.

Cyril Hahn (Facebook)

Rating 8.1

brown8

reviewed by
07-21-14

Mausi – My Friend Has a Swimming Pool (Star Slinger Remix)

mausi

Master Slinger adds the A+ 90’s dance/house-inspired flavor that his colored much of his latter days sound on Mausi’s latest. Don’t think just swimming pool/Star Slinger.

Star Slinger england (Facebook)
Mausi england (Official)

Rating 8.7

brown8

reviewed by
07-21-14

Zella Day – East of Eden (StéLouse Remix)

zelladay3

Impressive rising star of the genre-jumping electronic scene StéLouse styles Zella Day’s “East of Eden” single around a spectacular gamut of pinpoint dynamics and megaton beats.

StéLouse colorado (Soundcloud)

Zella Day arizona (Facebook)

Rating 8.3

brown8

reviewed by
07-18-14

Sinead Harnett – No Other Way (Ryan Hemsworth Remix)

sineadharnett

Remix Ryan Hemsworth boosts Sinead Harnett’s already stunning track with Snakehips “No Other Way” supplementing it with video game synths and layered summertime creeper beats. Sinead’s N.O.W. EP is due August 31st.

Ryan Hemsworth (Facebook)

Rating 8.3

brown8

reviewed by
07-16-14

Grizfolk – Vagabonds (Tyde Remix)

vagabondsremix

Dubstep refugee Grizfolk gets the future beats (and a very good iteration of it) treatment from production newcomers out of the UK Tyde.

Tyde (Soundcloud)

Rating: 8.8

brown8

reviewed by
07-16-14

Interview with Jack Garratt

jack garratt

Pop star on the rise, Jack Garratt leads the charge for the next frontier of the one man band. His new ‘Remnants’ EP is a spectacular display of songwriting and nimble musicianship, with a soulful ethos that crosses genre and holds a candle to any of today’s best new talent. B3 staffer Brian Litwin recently had the chance to catch up with Garratt to discuss the new ‘Remnants’ EP, his passions for tech-gear, and (of course) his beard. Have a look at their chat below.

B3SCI: Please introduce yourself to our readers…

JG: Hi everyone, I’m songwriter/producer/Muppets enthusiast and beard representative Jack Garratt.

B3SCI: Your single “Worry” is a stunner. What is the story behind this track?

JG: Thanks very much! I’m glad you’ve enjoyed it. It’s a pretty long story, so bare with me.

Worry came about VERY unexpectedly. I was writing with my really good mate of mine, Bastian, and we’d set ourselves the challenge of writing anything we could (i think we were trying to write something J-pop-esque). As it turned out, we ended up creating this Flute loop on a great little synth, which I then started to write some chords around. After about an hour, we’d come up with a rough demo of the chorus (no lyrics) and proceeded to write the the rest of the track over the following 2 days.

Interestingly, “Worry” was written in the same week that I wrote/produced “I Couldn’t Want You Anyway”, “Water” and “Remnants” (the other three tracks on the ‘Remnants’ EP). Though i didn’t notice it at the time, the lyrics I wrote for “Worry” ended up becoming a kind of answer to one of the other tracks on the EP. I won’t explain it too much or say which one, as it should be up to people to make their own connection between the two songs, if they even think there is one. I’ve already said too much!

B3SCI: Your remix on “Worry” is also just as refreshing as the original track. I have not typically seen new artists remix their own material. Do you have any other remixes in the bank? Is there a chance that you will do side gigs as DJ?

JG: Thanks again! The remix was a lot of fun to work on. It was just a great excuse for me to try and create a different perspective of a song that people had started to listen to. There’s a couple of remixes that are going through the same process at the moment, but i’m keeping quiet about them. Remixes, for me, are a great opportunity to better myself and hone in my production and ideas. If they end up becoming available to the public, then great! But I mostly use them as an exercise.

No plans to DJ anywhere just yet, unless I’m drunk and at a Communion Club night and nobody is listening.

B3SCI: Any plans on touring the States?

JG: Not yet no, there are possible dates here and there depending on when I’m back in the USA but for now, nothing official.

B3SCI: What was the catalyst for the ‘Remenants’ EP and how was the recording process?

JG: Well, in that week where I wrote the whole EP I still didn’t know it was going to be an EP. I was just writing, exploring ideas and trying to get my production up to scratch. It was only later on that I realized these songs all had a consistent theme. They all talk about unhealthy obsessions and self-proclaimed necessities. It’s a very self-depricating EP actually. Each song comes from a different stand point about self-loathing, or self-degredation for sake of somebody else’s needs. Selfless selfishness. Essentially, each song tells the story of someone who will try (and sometimes succeed) in destroying themselves for good of somebody else that possibly doesn’t need or ever even wanted them.

So you know, the real happy stuff. Puppies and rainbows and shit.

B3SCI: Great work on the beard sir! What is the single best thing about having something that impressive growing off your face?

JG: The fact nobody ever asks me about it.

Oh no wait… The best thing about having a beard is having a neck pillow wherever you go. It also doubles up as a scarf that protects me up to Scandinavian levels of cold wind.

B3SCI: What is one essential piece of gear that you must have for your live shows?

JG: It’s impossible to write this without sounding arrogant and I PROMISE I don’t mean to! The gear I’m using at the moment is incredible, but a good workman never blames/or congratulates his tools(?). If anything goes wrong, or if anything goes well it’s because I’ve spent a large amount of time working and rehearsing and teaching myself to become the best that I can possibly be at this very moment. I have such a long way to go, and I have so much more to improve on and I will do so for as long as I’m doing this but the gear doesn’t play itself.

I mean, the Roland SPD-SX does actually play itself if you tell it, so I guess that’s the most essential piece of gear. Yeah, my drum machine.

B3SCI: Your dream co-writer (dead or alive) – who would it be and why?

JG: This is VERY difficult. There’s too many! I was raised on Stevie Wonder so he would have to be one. I think Dave Grohl is one of the most underrated melody writers alive so he’d be another. Lianne La Havas, I think, is the most interesting vocalist/songwriter/performer around at the moment so she’d be another. The list goes on and on and on and on…

Jack Garratt (Soundcloud)

reviewed by
07-16-14

Tenru – The Way She Moves

tenru

Tenru is the production project of Australian electronic musician David Jones. The great syrupy R&B-referencing breaks of “The Way She Moves” fit palette-wise and thematically just between legend labels HW&W and Soulection. Well done.

Tenru (Soundcloud)

Rating 8.3

brown8

reviewed by
07-14-14