Yeah, totally didn’t expect this. Teddy Pain goes in on the Wiz Billboard #29 and pretty much murders it. Hate on Pain, dude may be retarded on the mic but if we’re talking hooks, melodies, all that, Pain can pretty much go jam for jam with just about anybody in the game right now.
Yeah, so we’re prob the 3000th blog in the blog universe to jump on this but the track’s just too good to not b3sci-i-fy. Middle-aged Albarn’s at his best in the role of crooner and here he coos all over the The xx track breathing a sense of upper middle class loathing that only the cheeky Colchester bloke could.
New shit from The Kid Daytona. “Take Aim… Bang!” comes to us from TKD’s Interlude LP. We were psyched on Daytona’s ’09 Come Fly With Me LP, so much so we named it one of our Top Records of 2009. Somehow, this jam lacks a bit of the heat that made songs like “The Engine” and “Lately” great but “Take Aim” is still gets the head nodding; Freddie Gibbs adds a pretty sick verse.
A touch different sound here on this new track from Chapel Club. “Telluride” sounds a bit like it was recorded in that place. The song has space, it feels icy, a bit more isolated, less tensive, but still pop comfortable. “Telluride” was tracked during the sessions for the band’s upcoming debut. Will this be more what the record will sound like? Less “All the Eastern Girls” and “Pictures of You”? Stay tuned.
Summer Fiction is both everything and nothing you’ve heard before. We wish more music fell into our inboxes like this. It’s Baroque Pop, it’s torch songs, it’s freewheelin’ Folk, it’s reminiscent of the golden days… but most of all it’s the roots and sound that’s Rock and Roll. It’s why Rock and Roll will never die.
Every now and then we are graced with a songwriter that can make even the simplest sounds heard before, still well worth hearing. With all of today’s media bombardment, I hear these songs and I listen. All I want to do is sit and listen. Bill Ricchini is one of those songwriters, and “Throw Your Arms Around Me” is one of those songs. Take a listen to “To: Alone”, when was the last time you heard a pop song this slow… this good? It’s a sound that reminisces where Richard Swift could have gone and what Elliot Smith had in his bones.
The Summer Fiction LP drops November 30th. True songwriters always have something good to say.
The Chief and the boys pay homage to the David Bowie and Brian Eno penned classic. Circa ’97, “Heroes” is a b-side to the Be Here Now 7:22 long debut single “D’You Know What I Mean”. A song, by the way, which should win an award as one of the greatest debut singles, to a post global phenomenon album, of all time.
Really, how ballsy is “D’You Know What I Mean”? Other than the fact it’s basically “Wonderwall” a half step down, just listen to it let alone the entire Be Here Now LP. It’s coked out, it’s Liam Gallagher hurling in between vocal takes, it’s infinite layers of consonant genius.. it’s getting kicked out of Abbey Road Studio’s ballsy. Be Here Now radiates the sort of ambitious irony that only a band that believes they are the greatest band in the world can create. And for that reason it is genuine, and for that reason it is great. Noel claims to hate Be Here Now par a few tunes. Liam… us… and select Oasis fans around the world rather claim it’s one of the best Rock and Roll albums of all time. Either way look at it, it’s “Coming in a mess, going out in style”.
“Heroes” finds a nice home as part of the Oasis B-side legacy. Part of an infamous B-side collection that would be a worthy A-list collection to a majority of artists. Example, dude’s performed their ’95 b-side “Acquiesce” on Saturday Night Live in 1998. How good was it? Good enough for Saturday Night Live to include it on their SNL Celebrates 25 Years of Music 2 CD collection. And they’ve got LOTS of music to chose from. Get it here!
The mashup journeyman DJ Topcat crafts a smooth blend here with this Cee-Lo Green/Four Tops Mix. What’s crazy about “Fuck You”, and maybe it’s a testament to just how fucking good a song it is… like we’ve heard it everywhere, just about everyday and mixed up every which way and the song still sounds really really great. Like we can’t help but go falsetto on that “I pity the FOOOOOOOOOOL” line every time we hear it. See if you can stop yourself from humming along to Stubbs and Co. and The Ladykiller himself. Yep, like we thought, we can hear you! It’s OK, we’re humming along too.
Here goes the Nero re-touch of the Daft Punk produced N.E.R.D. jam. Another strong showing here from UK producer Nero; this sick mix comes on the heels of some killer remix work for Plan B, Chase & Status, and The Streets. Nero does well enough to flip the oft-played jam into something fresh. Get familiar below.
Bobby Ray is back at you with “Beast Mode”. “I guess 2010’s the first year you gave a shit.” Maybe. But B. o. B., with 3 top 10 singles and a number 1 album to his credit, can make legit claim to his beast modey-ness. Dude has had a massive year and, and if anything, “Beast Mode” serves as something of a valediction to his 2010.
A favorite remix of a favorite song by a favorite artist. Grifta’s rework of the seminal Deadmau5 tune is five and a half minutes of expansiveness, hope, wonder, beauty, the future on tape. What that sounds like.
Top shelf beat here from the Megatron Don; The seemingly perpetually addled with label problems Saigon pitching in with some choice rhymes. The feel Just Blaze has for the rhythm, cadence, & diction in the flows of the rappers he works with (particularly Saigon) really sets his production work apart.
The Swedish bodytalker paused her worldbeating tour of nonstop jams just long enough to cut this cover of the classic Prince track for the UK’s Channel 4 TV.