“Quite Like” comes to us from Rennes, France and the duo Her. “Quite Like” dabbles in the warm heavy-in-the-air sonics that many of France’s best musical exports (Air, early Phoenix, etc) also dabble/have dabbled in. Listen.
Her (Soundcloud)
“Quite Like” comes to us from Rennes, France and the duo Her. “Quite Like” dabbles in the warm heavy-in-the-air sonics that many of France’s best musical exports (Air, early Phoenix, etc) also dabble/have dabbled in. Listen.
Her (Soundcloud)
Brighton band Kudu Blue debut with the soulful haze pop of “Bones”. Kudu Blue’s mildly R&B-influenced sound places them into a crowded space genre-wise right now but track “Bones” excels in its heady A+ production and perfectly place and constructed melodies. We are into it.
Kudu Blue (Soundcloud)
The ever-consistent Onra hits a high water mark on new track “We Ridin'” featuring L.A. vet emcee Daz Dillinger and the buttery soul stylings of Oliver Daysoul. This is the sound of L.A.
Onra (Soundcloud)
DC DJ Eau Claire drops off a spacious, summery, indie-club ready remix of Golden Coast’s Hypem topping track “Futurist”.
Eau Claire Soundcloud
Arches make their first musical announcement of 2015 by the unveiling of their brand new single “New Love” released via The Magician’s, exciting new imprint, POTION. Give “New Love” a spin and stay tuned for more.
Arches (Facebook)
15 year old Billie Marten is the latest signee to Chess Club Records. Commanding a potent nearly otherworldly vocal tone, the young Ms. Marten’s voice is one of a potential star. New acoustic/rhodes and quite stunning track “Heavy Weather” is an ideal introduction and showcase to Billie Marten’s special sound. Stream “Heavy Weather” below.
Billie Marten (Soundcloud)
Jack Garratt is releasing his “Synesthesiac” EP next week and to mark that the rising UK artist reveals a new remix of single “Chemical” from the venerable AMTRAC.
Amtrac (Soundcloud)
Review by Nathan Hetherington / Photo by Braden Fletcher
London four-piece Wolf Alice are on the brink of releasing their debut album “My Love Is Cool” after 3 or so years of putting out buzz worthy EPs, touring extensively and particularly impressing at their numerous festivals appearances. This is their biggest headline show to date, in the ornate Shepherds Bush Empire in West London. It’s sold out and avid fans are said to be queuing outside the venue from 11am so it’s fair to say that there’s a certain level of expectation surrounding this show.
Bloody Knees have pleasure of opening up and play a set of material unlike anything SBE has likely seen before. It’s a glorious polarity between regal surroundings and raucous modern punk sounds, complete with bare chests and baseball caps the four-piece from Cambridge put on a fascinating display of raw, primal energy that stunned a youthful crowd.
Next up from Brighton is another example of an exciting guitar band with a potentially huge summer ahead of them. Don’t be put off by the name, The Magic Gang bare a charming resemblance to 80’s US college rock sounds and with a confident wall of backing vocals and nostalgic hooks they effortlessly proved their worth as one of indie music’s hottest prospects. Early track ‘She Won’t Ghost’ and current single ‘Alright’ stand out with the kind of huge choruses that will no doubt be echoing around the festival fields in a few months time.
Wolf Alice then take the stage to deliver a set of hard hitting material. Opening with “Fluffy” and “She”, both tracks that earned them so much attention in 2013 and the swirling crowd respond immediately to the sounds reverberating around the theatre. It’s a flawless, ballsy performance from a band that have been yearning to play bigger stages for a while and it was a wholly rewarding experience to witness Ellie Rowsell commanding the audience so confidently as she shrieked and howled her way through their now formidable catalogue.
There is nothing understated about Wolf Alice any more, they dress like rock stars in front of a shimmering stage set, firing off confetti canons and smoke whilst leaping into the crowd – but most importantly it’s their songwriting and production that isn’t letting up here, getting girthier and more raucous by the minute. “Giant Peach” is a perfect example of how their thunderous drums and face ripping guitars are taking their sound from the realms of folk-tinged pop, to a whole other level of world dominating grunge rock. Rightly so this song is saved for the end of the set, right before an encore of yet more big hitters including “Moaning Lisa Smile”, before the night draws to a satisfying close.
Wolf Alice (Facebook)