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Moby – Almost Home (Washed Out Remix)

Almost-Home

The eminent and distinguished Washed Out spins a stunning world-beating rework of Moby & Damien Jurado’s “Almost Home” single. Mr. Greene’s mix captures a sound that (at least in my mind) would soundtrack some sort of super well-shot of great importance travelogue on the BBC, probably narrated by David Attenborough or Michael Palin or someone of equal worldly stature and status. The shimmering temples of Bagan, the Villa of Diocletian in Croatia, the stone churches of Lalibela, all flying by in 10000p definition to the magisterial tones of Washed Out’s mix. Moby’s Little Idiot label will be putting out the “Almost Home” single on 02/24.

Washed Out georgia: (Facebook)

Rating: 8.0

brown8

reviewed by
01-27-14

STORY BOOKS – Floating Arks

story books

The very consistent Communion Records latest release is “Floating Arks”, new from Kent UK band STORY BOOKS. Previewed from the band’s forthcoming sophomore EP “From Post to Post”, “Floating Arks” is made up of all the component parts of a track that can flat out level Radio 1; including: a great melodic tune, just the right dashes of hope and melancholy, and a pitch perfect piano-tinged instrumental. “From Post to Post” gets a March 17th release on Communion.

Story Books (Facebook)

Rating 8.4

brown8

reviewed by
01-27-14

Incan Abraham – Concorde

incan abraham

L.A.-based trio and B3SCI Presents alums Incan Abraham share single #1 from their debut Tolerance LP. “Concorde” navigates a neat balance between a very current indie sound (you may hear hints of bands like Grizzly Bear and PAPA) and a (in a good way) melodic accessibility that gives the track a quite powerful magnetism and charisma that helps to separate it from other bands/songs that just have the “very current indie sound” component of that equation. Tolerance is out April 8th on White Iris Records.

Incan Abraham california (Info)

reviewed by
01-27-14

Interview with Pale

Pale press shot

The massively talented UK twosome Pale broke out last fall on the indiesphere with their very good track for “Rundown”. The band’s excellent genre-jumping sound, containing elements of R&B, post punk, and electronic then blended with great pop songwriting, made the London-based duo one of our favorite finds of 2013. B3 staffer Joanne Lam recently had the chance to chat with Alan from the band and you can have a read at their conversation below.

B3SCI: You held your first headline show for your single “Fearing Faces” back in August of 2013. How was it?

Pale: It was the first time we played a headline show in our hometown, so it was interesting. Small venue, 80 people maybe, and it sold out. We were happy. Our only regret is that we only had 7 or so songs to play. They had a piano so we used it. I’d never played piano on stage before. I felt like Tom Waits for all of 30 seconds.

B3SCI: What’s the story behind your band name?

Pale: I couldn’t tell you. But I know it is the name I will make music under for the rest of my life. It’s just our name. It’s perfect. We are Pale, plain and simple.

B3SCI: I really loved the moodboard you put together for Planet Notion, and was particularly intrigued by your mention of John Martyn. How has he influenced your songwriting? What other artists do you look to for inspiration?

Pale: Thank you. I write most things on a nylon string acoustic guitar. I love country singers and song-writers like roy orbison or cass mccombs cause I love the song writing and the stories. I was a big fan of Alex Turner’s Solo EP and I think Christopher Owens has many of those same qualities.

John Martyn was something else, pure magic. It’s perfectly illustrated in that youtube clip. He’s just lost in what he’s doing – It’s more than music.

B3SCI: Your music is often cited for its minimalist yet emotional quality. In your opinion, is restraint and simplicity more effective in communicating emotion through music?

Pale: No. I don’t think there are any rules when it comes to effectively communicating emotions..

I have a gross sense of entitlement and therefore I expect more than what I have. Being restrained in that sense provokes emotion and creativity in me. I think our music has helped me enjoy what we have rather than making myself unhappy focussing on all the things we don’t have. Which is very destructive.

We don’t have a record deal or money to tour with or equipment / studio time etc, and I think we should be way bigger than we are. But we have to make do with what we have. I hope the emotion comes out somewhere in between trying, failing and succeeding in our lives and thus reflected in our music.

B3SCI: Pale was recently chosen as one of the BBC’s castaway on Desert Island Discs. Which piece of music, which book, and which luxury would you take with you to the island? Why these choices?

Pale: “Hollogallo – NEU!”

If this is going to be the soundtrack to the rest of my life I need something that’s up tempo, lasts long and goes places. I want to put it on in the morning and feel good for the rest of the day.

I usually lose interest in a song after about 30 seconds, but this one keeps me locked in. You never feel like you need to arrive.. Waiting to arrive is the enemy.

Sadly there is no vocal on this track so I may live to regret this decision as I would perhaps want to hear a human voice from time to time. And I hadn’t considered the nostalgic qualities.. I should have chosen ‘In Dreams‘ by Roy Orison or ‘The Waiting‘ by Tom Petty as both would remind me of people I love.

It’s an obvious choice but I’d probably take ‘The Picture Of Dorian Grey’ By Oscar Wilde for my book of choice. I love the english language and no one is better at putting it together than Oscar Wilde.. Quotes such as the ones below continue to enrich my life no matter how many times I read them. They are timeless, eloquent and so clever that they can provide meaning and insight over and over again.

“Nowadays people know the price of everything and the value of nothing”.

“There is only one thing worse than being talked about, and that is not being talked about”.

“I hate vulgar realism in Literature. A man who would call a spade and spade should be compelled to use one”

My luxury item would be a piano. I am not very good at playing the piano but I’ll have plenty of time to practice.

B3SCI: What’s next on the docket for Pale?

Pale: We have an EP coming out in the near future, and we’ll be doing a small tour around the same time. In the summer of 2014 we’ll be playing some festivals and then we’ll probably be finishing off an Album by the end of the year. We’re in no hurry though.

Pale (Facebook)

Rating 8.0234

brown8

reviewed by
01-27-14

Review: Parquet Courts Live @ The Fonda in Hollywood on 1/17/2014

Parquet Courts

Parquet Courts headlined at the Henry Fonda in Los Angeles on a Friday night last week. Worth noting, The Fonda (as it’s called) has three times the capacity of The Echo — the site of their last LA appearance in January, 2013. Parquet Courts’ buzz has certainly magnified in this last year and the venue upgrade suited them well, the group had no issues covering the larger room.

My personal taste often leans away from ‘jam’ bands, who can sometimes put me to sleep when they stray too far from course. Not the case with Parquet Courts, who really know the right way to stretch out a song. There’s not a whole lot of showbiz at their gigs. The guys basically stand up and play, which is something they do very well. For this set, the band featured a new drummer who played his third show with the band, and he nailed his beats. The crowd devoured Parquet Courts nicely and better-known songs such as “Borrowed Time” and “You’ve Got Me Wondering Now” brought some added energy and enthusiasm to the house. As the band alternated between fast and mid-tempo, there was a bit of a lull about two-thrids of the way in (where a cover song or change of pace might have helped), but the energy returned with a blistering version of “The More It Works”.

The most popular Parquet Courts song to date has to be “Stoned and Starving”. The band were wise enough to play it on David Letterman recently, even though it’s from their Light Up Gold album as opposed to newer Tally All The Things You Broke EP release. Crowd members started calling out for it as early as two songs into the set… yet they did not play the song at all! When Parquet Courts’ hour-long set concluded, it was assumed that an encore was in store, but instead the lights came on right away. The perplexed crowd quizzically looked at their neighbors. Most people hung around and it was a few minutes before the house music began to play, creating abandonment of any hope. Were there technical issues? It’s doubtful that the venue was shutting them down due to time limitations. It’s one thing to leave the audience wanting more, but you never want leave them disappointed. By Bruce Rave

Parquet Courts (Facebook)

Hear Bruce’s “Go Deep With Bruce Rave” weekly new music show on Indie1031/Los Angeles and WSUM-FM/Madison. Details and archived shows can be found on his blog and be sure follow Bruce on Twitter too!

reviewed by
01-25-14

Actress – Rap

actress

New from Ninja Tune is the indie 2014 quiet storm of UK artist Actress’ track for “Rap”. From Actress’ upcoming Ghettoville LP (the follow-up to the very long time ago 2008’s Hazyville), “Rap” while modern in its syrupy R&B references is special/worth your time because of Actress’ command of mood and pacing (and production) which are all truly standout (as is the track). Ghettoville sees a release on January 28th via Werkdiscs/Ninja Tune.

Actress (Ninja Tune)

Rating 8.4

brown8

reviewed by
01-24-14

Delakeyz – Snapositive

Delakeyz - Snapositive

Swiss artist Delakeyz blends deep house, jazz & a touch of more modern indie beats on “Snapositive”. As a full piece, “Snapositive” succeeds on its wholeness; each counterrhythm, every pulse of kick drum is perfectly timed and skillfully connected into the broader instrumental. “Snapositive” is included on Delakeyz’s new “Organic & Smooth” EP.

Delakeyz switzerland (Official)

Rating 8.3

reviewed by
01-24-14

ANTHEMS – Up In Mine

Anthems

Parisian crew ANTHEMS release “Up In Mine”, their debut track for the great French label 25 Years and Running. “Up In Mine”, which is produced by labelmates Champions League, features soothing Balearic influences and textures interweaved w/ a sparkling (& quite melodic) female vocal. Into it.

ANTHEMS (Facebook)

Rating 8.2

brown8

reviewed by
01-24-14