Back in Austin, during SXSW, we caught up with Norwegian singer/songwriter Thomas Dybdahl to chat for a bit about his forthcoming What’s Left is Forever release. Check out this exclusive performance of his new track, “This Love Is Here To Stay” from the album.
Straight from the soundboard of Annie Mac’s Radio 1 show to yr B3 earphones; it’s the new Katy B, the 90’s house-ref’ing “What Love Is Made Of” and it is amazing.
Perfect indie pop (or whatever iteration you want to call it) is a very popular phrase in the music blogosphere. That much we know. But really, truly, and actually, Swedish band NONONO’s “Down Under” is that perfect indie pop record and certainly one of the best tracks of the year.
“Growing” is the beautifully-conceived reverb-washed new track from Oakland band Harriet Brown. There’s something about “Growing”, perhaps its sauntering tempo or its smooth as silk melodies, that strikes a majestic, cinematic quality for us. We are loving it.
Two of our favorite newcomers in the soulful space beats scene connect here on Cloud Boat’s creeper rework of Sivu’s “Bodies”. You will probably want to put the kids to bed, keep the lights on and TRY NOT TO FALL ASLEEP when you spin this one. #Creeper.
“Give Up” is a nicely textured piece from Luxembourg trio Monophona. Listeners with eclectic palettes are sure to appreciate their mix of melodic, psychedelic and post-dub music. Monophona has gigged with the likes of Fink, Daughter, Polica and Sun Glitters, and they will be playing their first UK shows at The Great Escape festival next weekend. Be there.
This second emerging track from Beady Eye’s June album is arguably better than the first strong song, “Flick of the Finger”. This song also has horns, with an interesting groove underneath. Meanwhile Liam Gallagher is doing his best to fan the flames, stating he’ll retire if this album doesn’t do well. Based on these first two tracks, I don’t think that will be a concern. He also remarked on a photo of brother Noel hugging Blur’s Damon Albarn, saying that pic marks “the end of Britpop.” By Bruce Rave
Join us in Santa Monica this Tuesday night as B3SCI Presents team up with the Central S.A.P.C. for a great night of local music with this month’s artist in residence, L.A. based rock band Rainbow Jackson. And just like the band’s single “Flamingo Starr” suggests, their live show is gonna ‘take you over for a supernova.’ Trust us! Rainbow Jackson will joined that night by a stellar bill of buzzing talent that includes LEVELS, Burning Jet Black, Act As If and DJ sets by Immigre. Entry for the residency night is FREE (21+) and you can get additional details on the show here. We’ll see y’all there!
The Neighbourhood’s debut album I Love You has already landed a spot on our top albums list for 2013. For a band that came from nowhere in mid-2012, this quintet from Los Angeles have done a sufficient job of kicking up noise all around the world with their sing-along lush pop-scapes and reverb drenched rock. We had the chance to speak with the band back in November about this rise to fame and what the future might hold (listen to our interview here).
For one lucky reader out there, we are giving away an exclusive prize pack of autographed swag by the band. For your chance to win a signed I Love You CD and poster email us here and say that you’d like to to be entered in The Neighbourhood prize pack giveaway. Include with your submission an answer to one of the following questions. We’ll be picking our winning email submission at random next Friday morning (5/17). One entry per person please. Also, be sure to pick up your copy of the new album here.
Questions:
Who in the band looks the coolest in a pair of shades?
What famous LA street sign is featured in The Neighbourhood’s new music video for “Sweater Weather?”
In what city will you be seeing the band perform on tour this summer?
Suffice to say Tom Odell’s recent trip to the States has been nothing short of successful. For a bit of a recap, there was Tom’s US television debut on David Letterman last week (so good Letterman basically mentioned he’d manage him), there was the filming of a new music video, and a stint of sold out shows including this one at the world famous Troubadour in West Hollywood. The young Odell is definitely doing all of the things to make it right on this side of the pond. Along with his three-piece band, Tom Odell took to the Troubadour’s stage on Tuesday night with a little more strut than his debut in LA at Bardot earlier this year in January.
After a crowd warming stage intro from KCRW’s Jason Kramer, and getting a cover of Randy Newman’s “I Love LA” off his chest, Odell and his band ripped into “Hold Me” (from his Songs From Another Love EP) with an almost unexpected tenacity, a dynamic that would carry on as the theme for the evening. We were at a rock show and Tom Odell was like some sort of musical Jedi, wielding ‘the force’ as he pleased. More present in his performance were the roots and blues influence that have inspired British rock and roll since the days of Stones vs Beatles. Less present were any preconceived inclinations towards the likes of, most notably, Chris Martin. Don’t get us wrong, the influence is there, but imagine if Chris Martin had put together an entirely different band and went down a completely different path after Parachutes. Throughout the set, the classic blues and soul emphasis continued, so much so that Odell even performed a stunning cover of “Oh! Darling” from The Beatles’ later ‘return to their roots’ years.
Performing new songs from his anticipated debut LP, Long way Down (expected this summer), and even with a guitar at times, Tom Odell ran through new tracks like “Sirens” and “Grow Old with Me.” There is a distinct quality and limit to Odell’s vocal tone and range, and like every great vocalist he is comfortable enough with these boundaries to deliver any challenging line with instinct, natural diction and power. In good spirits that night, Odell made light of a small equipment snafu and shared commentary before rolling into songs. “Another Love” closed the set with an interesting approach to the bridge. Jedi captain Tom Odell was in control, perched in attack at his piano and preparing the world for the storm of Long Way Down about to land on June 23rd.
Recent signees to some dude called Paul Epworth’s Wolf Tone label, Glass Animals impress with possibly the band’s strongest track to date; the slow motion lurch-groove of “Black Mambo”. Impeccably arranged (those little bits of strings and keyboard bloops seem to ebb in and out of the track in only the most perfect of places), “Black Mambo” will draw you in immediately with it’s robust arsenal of hooky melodies and instrumentals. Not to miss.